When it comes to media distribution, H.264 still reigns supreme (yes, H.265 gets a little closer every day, but not yet!). Premiere has always given you the most in-depth options and settings of any major NLE when it comes to exporting, but sometimes, too much can be a bad thing! For years, what has driven me nuts about Premiere’s H.264 export settings (prior to the 2018 release, that is) was that despite H.264 being so omnipresent and common and accessible, its preset list f